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Literature in Sicily Though the novel or romanza form was to come much later, poetry had an early start in Sicily around the time of Frederick II (1194-1250), a patron of arts and culture, who is said to have composed several songs. During this period Sicily produced a number of poets, including Giacomo da Lentini, considered to be the father of the sonnet, along with Pier della Vigna, who is mentioned in Dante’s Inferno. Cielo d’Alcamo is famous for a notable dialogue-poem Rosa Fresca Aulentissima. During the Renaissance, the noteworthy studies and research of Antonio Beccadelli and Giovanni Aurispa helped increase classical knowledge, and the work done at the monastery of San Salvatore in Messina brought Greek Classics scholar Costantino Lascaris to the forefront. Later in the 16th Century, the poetic works of Antonio Veneziano and Argisto Giufreddi emerged as proponents of the Petrarchan style, popular at that time, and written in dialect, as well as in Italian. Theatre became popular in the 17th and 18th Centuries largely through the efforts of Ortensio Scammacca, and the Age of Enlightenment brought with it a formal history of Sicily written by Giovanni Battista Caruso, an abbot, as well as a history of Sicilian literature edited by Antonio Monitore. Other famous writers of the period were Tommaso Campailla, Tommaso Natale and especially Giovanni Meli, who is considered to be the greatest Italian poet of his time. The period between the Age of Enlightenment and the new literary realism saw Michele Amari’s distinguished critical histories take their place along with the writings of Eliodoro Lombardi, a proponent of Romanticism and political commitment to Garibaldi and the cause of the Risorgimento. Giuseppe Pitré’s studies of Sicilian folklore raised the ethnic tradition of Sicily to noble historical importance. His legacy lives on today in the Museo Etnografico Pitré in Palermo. Out of a reaction to Romanticism, came the realist movement advanced by the writings of Giovanni Verga with his remarkable I Malavoglia (The House by the Medlar Tree) and its sequal, Mastro Don Gesualdo. Thus, Verga's work brings Sicilian literature into the 20th Century. Contemporary Italian literature owes much to Luigi Pirandello’s pioneering work in early 20th Century fiction with such works as The late Mattia Pascal and The Old and the Young. The triumphant success of his play, Six Characters in Search of an Author brought international fame. He received the Nobel Prize in Literature in 1934. Giuseppe Tomasi di Lampedusa portrayed the decline of the Sicilian aristocracy during the Risorgimento in his greatly admired, posthumously published epic novel, Il Gattopardo (The Leopard). It is one of the masterpieces of 20th Century Italian and European literature; a poignant, yet richly complex book, which E.M. Forster called “one of the great lonely books.� Forster also commented that it was "not a historical novel� but "a novel which happens to take place in history" and that "Leopards do not hang on every bush." Misunderstood and criticized at the time of publication because its poetic and traditional style seemed out of date at the time, it nonetheless became a sensation and a success. It has gained in stature over the course of the last half-century, and remains in print throughout the world. |
Vitaliano Brancati Bell' Antonio Don Giovanni in Sicily The Lost Years |
Vincenzo Consolo The Smile of the Unknown Mariner Notte tempo, casa per casa Requiem per le vittime della Mafia |
Salvatore Quasimodo Poetry: Acque e terra To Give and to Have Debit and Credit Ed e Subito Sera Nobel Prize in Literature 1959 |
John Julius Norwitch The Normans in Sicily The Kingdom in the Sun Leoluca Orlando Fighting the Mafia Palermo Peter Rob Midnight in Sicily Alexander Stille Excellent Cadavers Mary Taylor Simeti On Persephone's Island Pomp and Sustenance Gioia Timpanelli Sometimes the Soul |
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